
After discovering — during a stint at Carroll Shelby’s Racing School — that he did not possess the necessary talent to become a racing driver himself, Wexler satisfied his urge for speed by forming a racing company to field cars for other drivers. His stable included, at various points, a Lola T70, a Ferrari 275 LM and a trio of Max Balchowsky-built Old Yellers, with drivers such as Ronnie Bucknum, Bob Drake, Bill Krause and Davey Jordan in their cockpits. The exercise was short-lived, however, as the enterprise soon fell afoul of the Internal Revenue Service.
Although his cinematography career tended to focus on big-budget work for major studios, Wexler was a lifelong liberal activist who devoted much of his energy to documenting wars, politics and the lives of the unfortunate among us, with Medium Cool being one such film. Upon receiving his first Oscar, for his work on Virginia Woolf, his acceptance speech comprised just a dozen words: “I hope we can use our art for peace and for love. Thanks.”
To his family and many friends in both industries, Vintage Racecar extends its sincerest condolences.
Click here to read our complete interview with Wexler from the Feb. 2015 issue.










